1. |
Desperado Attack!
04:50
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2. |
The Gallows
05:41
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3. |
Boone Helm
04:38
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4. |
Grave Whispers
05:45
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5. |
Knuckle Duster
04:52
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6. |
Demons of the Prairie
03:46
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7. |
Hell's Stallions
04:50
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8. |
Lonesome
06:59
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Duelist Butte, montana
Spaghetti Western Black Metal
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A Diabolic Thirst
by SPECTRAL WOUND
supported by 6 fans who also own “Spaghetti Western Black Metal”
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass). Tl;dr It's safe but high quality BM. Recommended.
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THE ARMOR OF IRE
by Eternal Champion
supported by 5 fans who also own “Spaghetti Western Black Metal”
Strong motif, atmospheric, yet still heavy.
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The Scars of Man on the Once Nameless Wilderness (I and II)
by Panopticon
supported by 5 fans who also own “Spaghetti Western Black Metal”
J'aime marcher. C'est un sport paradoxal : vous êtes prisonniers d'un mouvement répétitif et devez garder une attention constante au monde qui vous entoure au risque de vous mettre en danger ; vous êtes surtout prisonniers de vos limites physiques. Mais de l'autre côté, rares sont les sports pouvant faire partir votre imagination aussi loin. The Scars of Man on the Once Nameless Wilderness (I and II), c'est la mise en œuvre de cette philosophie : c'est la liberté. Le magnum opus de Panopticon.
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A sleek take on paisley pop and 60s-by-way-of-the-80s garage rock from this Detroit three-piece, equal parts fuzz and sparkly sugar.
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Roadhouse
by The Double Happiness
Surfgazers The Double Happiness are inspired by spaghetti westerns and the surreal noir atmospherics of Twin Peaks on their latest LP.
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Colliding a host of global sounds—from desert blues to Turkish psych—Abronia comes up with a mind-melting combo that never fails to thrill.
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Панихида
by Krzysztof Drabikowski
supported by 5 fans who also own “Spaghetti Western Black Metal”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années... Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne.
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